The economic crisis and future imaginaries: How the economic crisis has affected people’s future imaginaries

The paper, explores if and how the economic crisis has affected people’s understanding of their future selves and their imagination of the future of society in Germany (Cologne) and Spain (Barcelona). Because the future perspective has grown to be a crucial element of people’s self-understanding (Rosenthal, 1993) and the integrity of society depends in part on the possibility to imagine a common future (Bauböck, 2017), the analysis of future imaginaries is a compelling tool for the investigation of societal questions.

The abstraction of money: emancipation or alienation?

The chief goal of this article is to explain the abstraction process money has undergone since its earliest formal manifestations from Archaic Greece down to Modernity. To do this, reference is made not only to both theoretical arguments and social practices, but also to technical aspects. Additionally, and as a continuance of the ideas arising from the recently-described study, some issues are raised with regard to digital currencies, particularly bitcoin, which, even though it has been promoted as being anti-capitalist since its very beginnings, may, in practice, end up being capitalism’s most sophisticated tool.

The aesthetic foundation of the relational approach: Georg Simmel as a critical thinker

In the question about the conditions of emergence of a social knowledge with a relational perspective, Georg Simmel takes a very central position. It was him who expressed the need for sociology to address those little threads that are constantly weaving the fabric of reciprocal interdependence that characterizes modern societies dominated by monetary exchange.

On Digithum’s Intellectual History section

Our journal’s issue no. 18 was an opportune moment to launch its Intellectual History section. As Digithum’s editorial team we feel very certain that Intellectual History with a relational perspective is an excellent way to bring into play our subjective experience with our cultural heritage as its reference.